Where did January go? Oh wait I know, It was flushed into memory exile courtesy of Urinetown. The Webster Theatre Guild celebrated its 75th Anniversary in 2011, and the show they chose to commemorate the event was Urinetown. Yep … Urinetown. This former Broadway show is filled with raw humor, uncomfortable situations, borderline offensive material, and WTG did it right. Kudos to director J. Simmons and to the rest of the production team. I have not laughed so hard in a long time, and after the way 2011 closed I needed the palette cleansing weekend. WTG newcomer Andy Cooper and I tag-teamed the Set Design and I did the Artistic Painting for the show. Big props to the entire cast for a solid production, especially those that helped with the painting and set construction. Some members of the WTG (read: Stacie and Cathy for the death scene platform) found hidden talents, and for me, it certainly was an unexpected surprise (although … “is there and other kind?”) Below are some of the photos of the set starting out with Public Amenity #9. It’s one of the dirtiest, filthiest urinals in town, and was also fun to paint. (As was the rest of the set.)
Archive for the 'Theatrical Design' Category
Urinetown
Published February 7, 2012 Theatrical Design Leave a CommentTags: 75th Anniversary, Artistin Painting, Broadway, Photography, Public Amenity #9, Secret Hideout, Set Design, theater, UGC, Urine Good Company, Urinetown, Webster Theatre Guild
Annie. The classic story of a little girl who grows up during the depression in an orphanage hoping one day that her parents will return to save her from the mean ol’ Miss Hannigan. But in life, it seems what you want to happen is rarely was does happen. Luckily, Annie gets acquainted with Mr. Warbux, a billionaire in need of some grounding. And the rest of course is history. I was fortunate to have designed the set and did all the artistic painting for East Ridge High School’s 2010 production of Annie. Below are a few photos from the set:
This is the Mansion. It’s 40′ long and 12′ high. There are five entry points, one from each wing and three staircases. The two side staircases were existing and the large staircase in the middle was built by Paul and his crew.
I am particularly fond of the main staircase and the painted faux marble
Amber, one of the co-directors, had this neat idea to have moveable storefronts in the scene NYC. The effect was very cool. (719 is the date of my son Aaron’s birthday.)
The 40′ city skyline is created by the negative space of the silhouettes. I painted the nighttime sky. The silhouettes do the rest. (115, and 118 are the dates of my son Joey and daughter Rebekah birthday’s.)
The orphanage consisted of three existing flats that were repainted to look like old and dingy windows.
Hannigan has an office… it’s small, but it does have a kick ass bookshelf.
Here are some photos of the final sets for the Webster Theatre Guild’s 2010 production of West Side Story. I was the set designer and artistic painter for the show. Lots of hours went into the final product but I am very happy with the results. Many thanks to Mike Johnston and the cast and crew of WSS. Their help made it possible to complete these set pieces. There was a nice review by Eric Rezsnyak. in City Newpaper. You can read it here. Also, Rush Henrietta High School just used the back wall portion of the set in their production of WSS.
First up is the back wall. This was a NYC city street with two main buildings as the focal point. The stage right side was the Puerto Rico side and the stage left was the American side. Joined together by the neutral alleyway complete with strings of “white flag” laundry.
The Dress Shop was part of a two sided set piece that consisted of 2 rolling 4′x8′ platforms. One side was the Dress Shop, the other, Doc’s Drugstore.
This side was Doc’s Drugstore.
Photo credit for the below photo of Doc’s: Stacie Schroeder
This the Cellar of Doc’s
The Rumble under the stage lights. 40′ long by 12′ high.
Maria’s Bedroom. 24′ long x 8′ high.
West Side Story is in full gear now.
This is my biggest venture yet in designing the graphics for the show and theatrical, set design, and artistic painting. The plans are very ambitious, and with out the help of many talented folks from the Webster Theatre Guild, including my beautiful wife Julie, they are becoming a reality.
A big thanks to Mike Johnston, he’s the WTG board president, the technical director of the show, and the one entrusted to create what I have designed.
You know that scene in Fargo where they are placing Steve Buscemi in the wood chipper? Yeah that’s what this weekend was like, but instead of Steve, it was Jokey Smurf.
The wire brush gave it all it had. R.I.P. my friend.
Painting in the cold storage facility in November is, um COLD. This is Maria’s bedroom wall. Well, part of it.
This is an early photo of the flats for the Rumble. The final size is 40′ long by 12′ high.























































